WORKS BY INSTRUMENTATION | [see by date]
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chamber music:
100000000000 animales (2022/24) - for three percussionists and electronics
written for line upon line
schemes that offer us a sense of futurity (2021) - for amplified soprano voice, flute, clarinet, violin, and electronics
written for TAK Ensemble
stars from the earth stars from the stars (2019) - for amplified flute, clarinet, violin, cello, percussion, and electronics
written for and premiered by Madison Greenstone and the [Switch~ Ensemble], Harvard University, 2019/10/5
MAM (2018) - for amplified flute, cello, clarinet, and electronics
written for and premiered by DAD, Harvard University, 2018/9/29
CAS* (2017) - for amplified piccolo flute, contrabass clarinet, octave pedals, and low sine tones
premiered by Ensemble Adapter, Harvard University, 2017/11/4
* this piece was engulfed by MAM later on, though its stand-alone version still exists
GIS (2017) - for clarinet, trombone, percussion, and electronics
written for and premiered by the ELISION Ensemble, Harvard University, 2017/5/20
Perro rojo fantasma (2017 - rev. 2018) - for piano quintet with electronics
premiered by the JACK Quartet and Daniel Walden, Harvard University, 2018/5/19
24 (2014) - for double bass, harp, and percussion
commissioned and premiered by PULSAR Trio (Eloïse Labaume, Noam Bierstone, Florentin Ginot)
Fondation Suisse, Paris, 2014/5/18
731 (2012) - for amplified trumpet, clarinet, and trombone with onstage resonators
premiered by Eloy Neira, Pedro Molina, and Felix Del Tredici, McGill University
orchestral:
mein liebstes Bild (2015) - for large orchestra and electronics
premiered by the Dresdner Philharmonie, HfMDD, 2015/5/18
solo:
FALLEN SKIES (2022) - for solo piano and electronics
written for Julia Den Boer
BRIGHTER SUNS (2022) - for solo electric guitar and electronics
premiered by Nico Couck of Nadar Ensemble, Harvard University, 2022/5/21
CES* (2018) - for amplified solo cello and electronics
premiered by Alice Purton of Distractfold Ensemble, Harvard University, 2018/4/14
* this piece was engulfed by MAM later on, though its stand-alone version still exists
collaborative works:
Parallel Peaks (2021), online journal written in collaboration with Daniel Walden for Fonema Consort's Digital Mural
* this link will take you to Fonema's website, where the work is hosted
Sí Hay MONSTER (2018), written in collaboration with Elena Rykova
site-specific performance/installation for the Montreal-based group No Hay Banda
Objekte (2014) - video/installation written in collaboration with Nastasja Keller